1957 Born in Norfolk (VA)
Lives and works in Boston, MA

Selected Solo Exhibitions

1980 Joseloff Gallery, Hartford Art School, University of Hartford
1984 3 Artists Select 3 Artists, Artists Space, NY
Cash/Newhouse, NY
1986 Cash/Newhouse, NY
1987 Josh Baer Gallery, NY
Cash/Newhouse, NY
Daniel Weinberg Gallery, Los Angeles, CA
1988 Lisson Gallery, London, England
Matrix Gallery, Wadsworth Atheneum, Hartford
Rhona Hoffman Gallery, Chicago, IL
Mario Diacono Gallery, Boston
1989 Josh Baer Gallery, NY
The John and Mable Ringling Museum, Sarasota, FL
Center for the Fine Arts, Miami, FL
The New Museum of Contemporary, NY
1990 Galerie Monika Sprüth, Cologne, Germany
Rhona Hoffman Gallery, Chicago, IL
La Maquina Espanola, Seville, Spain
Mario Diacono Gallery, Boston
1991 Josh Baer Gallery, NY
Galerie Montenay, Paris, France
Stichting De Appel, Amsterdam, Holland
1992 Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli, Italy
1993 Work In Editions, Brooke Alexander Editions, NY
Josh Baer Gallery, NY
1994-1995The Matter of History: Selected Work by Annette Lemieux, Davis Museum and Cultural
Center, Wellesley College, Wellesley, MA: traveled to Duke University Museum of Art,
Durham, NC; Washington University Art Gallery, St. Louis, MO
catalogue
Kaiser Wilhelm Museum, Haus Esters, Krefeld, Germany
Time to Go, Galleria d'Arte, Emilio Mazzoli, Modena, Italy
1995 McKee Gallery, New York
The Matter of History: Selected Works by Annette Lemieux, Upper Gallery, Washington
University Art Gallery, St. Louis, MO
1996 Untitled 1988 / 1996 Great Expectations, Mario Diacono Gallery, Boston
1997 Mostly Blue, Anders Tornberg Gallery, Lund, Sweden
1998 McKee Gallery, New York
Museo de Arte Carrillo Gil, Mexico City, Mexico
1999 Arena, Elias Fine Art, Allston, MA
Cambridge River Festival, Charles River Project, MA
2000 Crossing the Rubicon, Mario Diacono Gallery, Boston, MA
Two Vistas, Wall at WAM, Worcester Museum, Worcester, MA
2001 ‘Scapes, McKee Gallery, New York
‘Scapes Continued, Barbara Krakow Gallery, Boston, MA
The Peabody Museum, Harvard University, Cambridge, MA
2001-2002Sphere, Baldwin Gallery, Aspen, CO
2002 Double Obstacle, Mario Diacono Gallery, Boston, MA
2004 Vehicles for Elevation, McKee Gallery, New York
2006 Flowers and Song, Annette Lemieux, Baldwin Gallery, Aspen, Colorado
2008 Annette Lemieux, Paul Kasmin Gallery, NYC, at The Armory Show, NYC
2009 The Strange Life of Objects: 1985 - present, traveling exhibition hosted by Krannert Art
Museum, Champlaine Illinois, curated by Judy Hoos Fox and Lelia Amalfitano
Traveling to Scottsdale Museum of Contemporary Art, Scottsdale, AZ.
Book Published by Merrell, NY/London

GROUP EXHIBITIONS

1979 Hartford Arts Festival, jurried exhibition, Hartford, CT
1980 Beth El Temple Annual Exhibition, Beth El Temple, West Hartford, CT
1982 Contemporary Shields Show, Gallery des Refuse, NY
The Monument Redefined, Gowanus Annual II, Brooklyn, NY
1983 Connecticut 7+7+7, Wadsworth Atheneum, Hartford, CT
Image Letante, Alain Bilhaud Gallery, NY
Turn It Over, sponsored by White Columns, NY
1984 Artist Call, Metro Pictures, NY
Symbols Cliche, A & M Gallery, NY
1985 Situations, curated by the Museum of Modern Art Lending Service, Dancer
Fitzgerald Sample, Inc., NY
57 Street between A & D, Holly Solomon Gallery, NY
Past and Future Perfect, Hallwalls, Buffalo, NY
Benefit Show, White Columns, NY
Summer Selection, Castelli Graphics, NY
303 Gallery, NY
Thought Objects, curated by Barbara Ess and Glenn Branca, Cash/Newhouse, NY
Jennifer Bolande, Annette Lemieux, Michael Bennett Gallery, NY
A Brave New World, A New Generation, curated by Tom Solomon, Charlottenborg
Exhibition Hall, Copenhagen, Denmark and Lundmuselim, Lund, Sweden
1986 Cash/Newhouse, NY
Bard College, curated by Arthur Solway, Annandale-On-Hudson, NY
303 Gallery, NY
New New York, Cleveland Center for Contemporary Art, curated by Bill Olander,
Cleveland, OH
Metro Pictures, NY
Currents, Institute of Contemporary Art, Boston, MA
Time After Time, curated by Collins and Milazzo, Diane Brown Gallery, NY
Altered States, Bard College, curated by Vikky Alexander, Annandale-On-Hudson, NY
Spiritual America, curated by Collins and Milazzo, CEPA, Buffalo, NY
Vikky Alexander/Annette Lemieux/Allan McCollum/James Welling, Cash/Newhouse, NY
Luhring, Augustine & Hodes Gallery, NY
Rhona Hoffman Gallery, Chicago, IL
Brooke Alexander, NY
Cash/Newhouse, NY
The Moral Essays, Castelli Graphics, NY
Ultrasurd, curated by Collins and Milazzo, S.L. Simpson, Toronto, Canada
Modern Sleep, curated by Collins and Milazzo, American Fine Arts, NY
1987 Annina Nosei Gallery, NY
The Antique Future, curated by Collins and Milazzo, Massimo Audiello Gallery, NY
1987 Biennial Exhibition, Whitney Museum of American Art, NY
Extreme Order, curated by Collins and Milazzo, Lia Ruma Galerie, Naples, Italy
Fake, The New Museum of Contemporary Art, NY
Jennifer Bolande, Moira Dryer and Annette Lemieux, Lawrence Oliver Gallery,
Philadelphia, PA
Beyond the Image, curated by James R. Schmidt, First Street Forum, St. Louis, MO
Real Pictures, Wolff Gallery, NY (an exhibition to benefit AMFAR)
Romance, curated by Ronald Jones, Knight Gallery, Charlotte, NC
Subtext, Kent Fine Art, NY
(of Ever-Ever Land i speak), curated by Christian Leigh, Stux Gallery, NY
International With Monument, NY
Pat Hearn Gallery, NY
Coleccion Sonnabend, Centro d'Arte Reina Sofia, Madrid, Spain
Tom Cugliani Gallery, NY
Currents 12: Simulations, New American Conceptualism, Milwaukee Art Museum,
Milwaukee, WI
Recent Tendencies in Black and White, curated by Jerry Saltz, Sidney Janis Gallery, NY
The Beauty of Circumstance, curated by Ronald Jones, Josh Baer Gallery, NY
The New Poverty, curated by Collins and Milazzo, John Gibson Gallery, NY
1988 Cultural Geometry, organized by the Deste Foundation for Contemporary Art, DEKA
Foundation, House of Cyprus, Athens, Greece
Media Post Media, curated by Collins and Milazzo, Scott Hanson Gallery, NY
The Return of the Hero, curated by Karen Marta Burden Gallery, Aperture Foundation, NY
The Multiple Object, organized by Fine Arts Planning Group, Bank of Boston Gallery, Boston
Photography on the Edge, Patrick and Beatrice Haggerty Museum of Art, Marquette
University, Milwaukee, WI
Artschwager, His Peers and Persuasion, 1963-1988, Daniel Weinberg Gallery, Los
Angeles, CA and Leo Castelli Gallery, NY
Altered States, curated by Rosetta Brooks, Kent Fine Art, NY
Reprises de Vues, curated by Corrine Diserens and Renate Cornu, Halle Sud/Geneve,
Geneva, Switzerland
Sculpture, Brooke Alexander, NY
Objects, Lorence Monk, NY
Art at the End of the Social, curated by Collins and Milazzo Rooseum, Malmo, Sweden
New Work, Josh Baer Gallery, NY
The Bi-national, The Institute of Contemporary Art, Museum of Fine Arts, Boston, MA and
Stadtische Kunsthalle, Kunstsammlun Nordrhein-Westfalen, Kunstverein fur die
Rheinlande und Westfalen, Dusseldorf, Germany
Hybrid Neutral: Modes of Abstraction and the Social, curated by Collins and Milazzo:
traveled to The University of North Texas Art Gallery, Denton, TX; The J.B. Speed Art
Museum, Louisville, KY; Alberta College Gallery of Art, Calgary, Alberta, Canada; The
Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, St. Lawrence
University, Canton, NY; Santa Fe Community College Art Gallery, Gainesville; Fuller Gross
Gallery, San Francisco, CA
1989 Pre-Pop, Post-Appropriation, curated by Collins and Milazzo, in cooperation with Leo
Castelli Gallery, NY and Stux Gallery, NY
Revamp, Review, curated by Corinne Diserens, International Center for Photography at
Woodstock, Woodstock, NY
Prospect '89, Schirnkunsthalle, Frankfurt, West Germany
INFAS: 7 Artists, curated by Diego Cortez, The Space, Hanae Mori Foundation, Tokyo, Japan
Drawing to a Close, Daniel Weinberg Gallery, Los Angeles, CA
Painting/Object/Photograph, Barbara Krakow Gallery, Boston, MA
The Silent Baroque, curated by Christian Leigh, presented by Galerie Thaddeus Ropac at
the Villa Arenberg, Salzburg, Austria
The Photography of Invention-American Pictures of the 1980's, National Museum of
American Art, Smithsonian Institute, Washington, D.C.
10+10: Contemporary Soviet and American Painters, curated by Maria Price, Graham Beal
and Pavel Khoroshilov: traveled to Modern Art Museum of Fort Worth, TX; San Francisco
Museum of Modern Art, San Francisco, CA; Albright Knox Museum, Buffalo, NY; Corcoran
Gallery, Washington D.C.; The New Trectyakov Gallery, Moscow, USSR; Tbilisi and
Leningrad, USSR. Withdrew from Corcoran Venue.
Contemporary Perspectives 1: Abstraction in Question, The John and Mable Ringling
Museum of Art, Sarasota, FL: traveled to Center for the Fine Arts, Miami, FL
Les États Généraux, Galerie Montenay, Paris, France
Psychological Abstraction, curated by DESTE Foundation, House of Cyprus, Athens, Greece
3x5 Projects: The Appearance of Sound, Center for the Fine Arts, Miami, FL
Image World: Art and Media Culture, Whitney Museum of American Art, NY
Departures: Photography 1924-1989, Hirschl & Adler Modern, NY
1990 This Land Is Our Land, Zoe Gallery, Boston, MA
Selected Works from the Avant Garde, Kent Fine Art, NY
OBJECTives: The New Sculpture, Newport Harbor Art Museum, Newport Beach, CA
On The Edge: Between Sculpture and Photography, Cleveland Center for
Contemporary Art, Cleveland, OH
All Quiet on the Western Front?, in collaboration with Collins and Milazzo, Galerie Antoine
Candau, Paris
A Vint Minuts De Paris, Galeria Joan Prats, Barcelona, Spain
Aperto '90, The Venice Biennial, Arsenale Corderie, Venice, Italy
Woman Artists of the Day, IMPO, Osaka, Japan
The Children's AIDS Project: A Benefit Exhibition, Daniel Weinberg Gallery, Santa
Monica, CA
Word As Image: American Art 1960-1990: traveled to Milwaukee Art Museum,
Milwaukee, WI; Oklahoma City Art Museum, OK; Contemporary Arts Museum, Houston, TX
The Last Decade: American Artists of the 80's, curated by Collins and Milazzo, Tony
Shafrazi Gallery, NY
Culture in Pieces: Other Social Objects, Beaver College Art Gallery, Glenside, PA
Mind over Matter: Concept and Object, Whitney Museum of American Art, NY
Life-Size: A Sense of the Real in Recent Art, The Israel Museum, Jerusalem, Israel
Trois Americains, Galerie Antoine Candau, Paris, France
Vertigo, organized by Christian Leigh, Galerie Thaddaeus Ropac, Paris, France
ICA Art Auction, Institute for Contemporary Art, Boston, MA
1991 Josh Baer Gallery, NY
The Sibylline Eye, Munich Kunsthalle, Munich, Germany
Word as Image: American Art 1960-1990, Contemporary Arts Museum, Houston, TX
The Fetish of Knowledge, organized by Jim Hyde, Real Art Ways, Hartford, CT
Word & #s, Museum of Contemporary Art, Wright State University, Dayton, OH
Who Framed Modern Art or The Quantitative Life of Roger Rabbit, curated by Collins and
Milazzo, Sidney Janis Gallery, NY
The Lick of the Eye, organized by David Pagel, Shoshana Wayne Gallery, Santa Monica, CA
Sophie Calle, Annette Lemieux, Lorna Simpson, Carrie Mae Weems, National Gallery,
Pittsburgh Center for the Arts, Pittsburgh, PA
Vertigo II, organized by Christian Leigh, Galerie Thaddaeus Ropac, Salzburg, Austria
Inscapes, Foundation De Appel, Amsterdam, Holland
Cruciformed: Images of the Cross Since 1980, curated by Davis S. Rubin, Cleveland
Center for Contemporary Art, Cleveland, OH: traveled to Western Washington University,
Bellingham, WA
Constructed Images: Synapse Between Photography and Sculpture, curated by Ingrid
Schaffner, Lieberman & Saul Gallery, NY: traveled to Tampa Museum of Art, Tampa, FL;
Center for Creative Photography, Tucson, AZ; San Jose Museum of Art, San Jose, CA
Object Lessons, Portland Art Museum, Oregon Art Institute, Portland, OR
American Artists of the 80’s, Castelli di Rivoli, Museo d’Arte Contemporanea, Rivoli, Italy
The Art of the 1980s: Selections from the collection of the Eli Broad Family Foundation,
Duke University Museum of Art, Durham, NC
1992 New Jersey Collects: Photography, New Jersey Center for Visual Arts, NJ
Drawings, Brooke Alexander, NY
Annette Lemieux and Annette Messager, Josh Baer Gallery, NY
Beyond Glory: Re-Presenting Terrorism, Maryland Institute, College of Art, Baltimore, MD
Gifts of Compassion, Miller/Block Fine Art, Boston
Blast Art Benefit, 568-578 Broadway, New York
Theoretically Yours, curated by Collins and Milazzo, Regione Autonoma Della Valle
D’Aosta, Aosta, Italy
Material Matters, Fisher Landau Center, Long Island City, NY
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, IL
More Than One Photography,The Museum of Modern Art, NY
Group Show, Brooke Alexander, NY
Post Human, curated by Jeffrey Deitch, at Castello di Rivoli, Museo d’Arte Contemporanea,
Rivoli, Italy: traveled to Deste Foundation for Contemporary Art, Athens, Greece;
Deichtorhallen Hamburg, Hamburg,Germany; The Israel Museum, Jerusalem, Israel
The Exuberant Eighties,The Forum for Contemporary Art, St. Louis, MO
Josh Baer Gallery, NY
Three Choices: Annette Lemieux, Ellen Rothenberg, Lisa Young, Barbara Krakow
Gallery, Boston
Who’s Afraid of Duchamp, Minimalism and Passport Photography?, curated by Collins and
Milazzo, Annina Nosei Gallery, NY
Miracles III, Benefit Auction and Exhibition, University of Hartford, CT
Les Iconodules, La Question de L’image, Museé des Beaux-Arts, Le Havre, France
Functional Objects by Artists and Architects, Rhona Hoffman Gallery, Chicago, IL
The Boundary Rider, The Ninth Biennial of Sydney, North Sydney, Australia
Multiplicity, curated by Susan Inglett, Thea Westreich, NY: traveled to Christopher
Middendorf, Washington, D.C.; Van Straaten Gallery, Chicago, IL; Center of Contemporary
Art, St. Louis, MI; Davis / McClain, Houston, TX; Richard Green, Santa Monica, CA; Ellen
Miller / Katie Block, Boston
Concurrencies, curated by Lucio Pozzi and William Chambers, Grace Borgenicht Gallery, NY
The Directed View, Academy of Fine Arts, Vienna, Austria
1993 American Art Today: Clothing As Metaphor, The Art Museum, Florida; International
University, Miami, FL: traveled to Tavelli Gallery, Aspen, CO; Washington University
Gallery of Art, St. Louis, MI
Sculpture & Multiples, Brooke Alexander Editions, NY
I Am The Enunciator, curated by Christian Leigh, Thread Waxing Space, NY
Contacts / Proofs, collaboration with Mark Innerst, Jersey City Museum, Jersey City, NJ
Fall From Fashion, The Aldrich Museum of Contemporary Art, Ridgefield, CT
Concurrencies II, Ben Shahn Galleries, William Paterson College, Wayne, NJ
Druksache (Prints & Issues), curated by Kim Levin, Kunst-Werke, Berlin, German
Photoplay: Works from the Chase Manhattan Collection, organized by Lisa Phillips:
traveled to Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de
Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado,
Caracas, Venezuela; Museu de Arte de Sao Paulo, Sao Paula, Brazil; Museo Nacional de
Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile
Vivid: Intense Images by American Photographers, organized by Victoria Espy Burns,
Raab Galerie, Berlin, Germany
Drawing the Line Against Aids, curated by John Cheim, Diego Cortez, Carmen Gimenez
& Klaus Kertess, The Peggy Guggenheim Collection, Venice, Italy; Solomon R.
Guggenheim Museum, NY
Art is Life, Museo dell’Automobile, Torino, Italy
Yavneh Art Workshop, Yavneh, Israel
Living With Art: The Collection of Ellyn & Saul Dennison, The Morris Museum,
Morristown, NJ
The Return of the Cadavre Exquis,The Drawing Center, NY, (traveling exhibition)
Still Images / Moving Pictures, David Winton Bell Gallery, Brown University, List Art Center,
Providence, RI
Uber-Leben, Bonner Kunstverein, Bonn, Germany
Benefit Exhibition for Foundation for Contemporary Performance Arts, Leo Castelli
Gallery, NY
Giftland II: Extra-ordinary, Printed Matter Bookstore at Dia, NY
Women at War, LedisFlam Gallery, NY
Mettlesome, Meddlesome: Selections from the Collection of Robert J. Shiffler, The
Contemporary Arts Center, Cincinnati, OH
Studio Guenzani, Milano, Italy
Moving, De Appel, Amsterdam, The Netherlands
1994 Milena Dopitova In Context, The Institute of Contemporary Art, Boston
The Ossuary, organized by Diego Cortez and Arto Lindsay, Luhring Augustine Gallery, NY
Old Glory: The American Flag in Contemporary Art, Cleveland Center for Contemporary
Art, Cleveland, OH
Painting, Rhona Hoffman Gallery, Chicago, IL
The Artist's Camera: Photographs by Contemporary Artists, curated by Junji Ito and
Richard Marshall, Art Against Aids, Japan, Tokyo, Japan; Threadwaxing Space, NY
Blast Art Benefit, NY
Visiting Artistry, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Where is Home?, Kent Fine Art, NY
Burnt Whole, Contemporary Artists Reflect on the Holocaust, curated by Karen Holtzman,
Washington Projects for the Arts; Washington, D.C.: traveled to Institute of Contemporary
Art, Boston, MA
La Collezione, The Castello de Rivoli, Turin, Italy
Mapping, curated by Robert Storr, The Museum of Modern Art, NY
Press On, Editions from Four Young Publishers, I. C. Editions, NY
The Music Box Project, curated by Claudia Gould, The Equitable Gallery, NY: traveled to
The Long Beach Museum of Art, Long Beach, CA; Center for the Fine Arts, Miami, FL;
Columbus Museum of Art, Columbus, Ohio; Spiral Art Center, Tokyo and Kirin Plaza, Japan
The Century of the Multiple; From Duchamp to the Present, The Deichtorhallen,
Hamburg, Germany
The Lewitt Collection, curated by Walter McConnell, Atrium Gallery, University of
Connecticut at Storrs, CT
Depart, curated by Daniel Elias, Bernard Toale Gallery, Boston
1995 Critiques of Pure Abstraction, curated by Mark Rosenthal, organized by ICI, NY: traveled
to Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr
Gallery, Alberta College of Art, Calgary, Alberta, Canada; Sheldon Memorial Art Gallery,
University of Nebraska, Lincoln, NE; UCLA at the Armand Hammer Museum of Art and
Cultural Center, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Museum of
South Texas, Corpus Christi, TX; The Lowe Art Museum, Coral Gables, FL; Frederick R.
Weisman Museum, University of Minnesota, Minneapolis, MN (exhibited through 1997)
Americana, Tricia Collins / Grand Salon, NY
Spiritual Impulses, Gallery 28, New England School of Art and Design, Boston
Matrix 20th Anniversary, Wadsworth Atheneum, Hartford, CT
Articulations: Forms of Language in Contemporary American Art, Fisher Landau
Center, NY
Fuoriuso ‘95, Pescara, Italy
Art With Conscience, The Newark Museum, NJ
Prints - to Benefit the Foundation for Contemporary Arts, Brooke Alexander, NY
Annual Massachusetts College of Art Benefit Auction, Boston
1996 Five Women, Five Rooms, Nielsen Gallery, Boston
Everything that’s Interesting is New, Athens School of Fine Arts, Athens, Greece
Bringing It All Back Home, Gracie Mansion, NY
Landscape Reclaimed: New Approaches to an Artistic Tradition, Aldrich Museum of
Contemporary Art, Ridgefield, CT
The Baseball Show, Curt Marcus Gallery, NY
Etching and Etchers since 1850, The Fogg Museum, Harvard University, Cambridge, MA
Art at Home - Ideal Standard Life, Spiral Garden, Tokyo, Japan, curated by Takayo Iida
Box, Fotouhi Cramer Gallery, NY
Blind Spot Photography: The First Four Years, Paolo Baldacci Gallery, New York, NY
Consensus and Conflict: The Flag in American Art, The Whitney Museum of American Art
at Champion, Stamford, CT
Collection in Context: Selected Contemporary Photographs if HANDS from the collection
of Henry Buhl, Thread Waxing Space, NY
Maps Elsewhere, Institute of International Visual Arts, Beaconsfield, London
Valentine’s Day Love Fest, Creative Time Benefit, NY
The Mediated Object: Selections from the Eli Broad Collections, The Fogg Museum,
Harvard University, Cambridge, MA
Thinking Print: Books to Billboards, 1980 - 1995, The Museum of Modern Art, NY
Persistence of Pop, The Rose Museum, Brandeis University, NY
Faces and Figures in Contemporary Art, Museum of Fine Arts, Boston
1996-1997Making Pictures: Women and Photography, 1975 - Now, Nicole Klagsbrun, New York, NY
1997 The Mediated Object: Selections from the Eli Broad Collections, Forum for Contemporary
Art, St. Louis, MO
Critical Intervention, Joseloff Gallery, University of Hartford, CT
Footplay, McKee Gallery, New York
The Dual Muse, The Writer As Artist - The Artist As Writer, Washington University Gallery
of Art, St. Louis
1997-1998From Junk to Art, Museo di Arte Moderna e Contemporanea di Trentoe Rovereto, Itlay
1998 Great Buys: Recent Acquisitions from the Permanent Collection, DeCordova Museum
and Sculpture Park, Lincoln, MA
PhotoImage: Printmaking 60s to 90s, The Museum of Fine Arts, Boston
Maschile Femminile, Palazzo Abatelus, Palermo, Italy
The New ‘Evergreen Review’ Auction and Exhibition, Evergreen Review, NY, curated by
Richard Milazzo
(Multiples + Editions), I.C. Editions, New York
Victoria and Albert Museum, London
1999 Head to Toe: Impressing the Body, University of Massachusetts, Amherst, MA
Forget About the Ball, Let’s Get on With the Game, Kunsthalle Nurnberg, Germany
Collectors Collect Contemporary: 1990-99, The Institute of Contemporary Art, Boston
Artist / Author: Contemporary Artists’ Books, University Gallery, Fine Arts Center,
University of Massachusetts, Amherst
Hartford Art School Alumni Show, Joseloff Gallery, University of Hartford, CT
Paper Prayers, Barbara Krakow (benefit)
Illuminations, Gallery 57, Cambridge Arts Council, Cambridge, MA (benefit)
2000 Collaborative Print Shop, Washington University, St. Louis, MO
S.O.S.: Scenes of Sounds, The Inaugural Exhibition of The Tang Teaching Museum and
Art Gallery, Skidmore College, Saratoga Springs, New York
Visual Memoirs, Rose Museum, Brandeis University, MA
Whitney Biennial, Whitney Museum of American Art, New York
Of the Moment: Contemporary Art from the Permanent Collection, San Francisco
Museum of Modern Art, San Francisco
Open Ends: Counter Monuments and Memory, Museum of Modern Art, New York
Inside / Out, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Prints from the Collection of the Brooklyn Museum, Brooklyn Museum, New York
NEW works, McKee Gallery, New York
Look Back / Look Forward, Dan Elias Fine Art, Allston, MA
Out & About, Allston Skirt Gallery, Allston, MA
Out of the Box, Rose Art Museum, Brandeis University, Waltham, MA (benefit)
Day Without Art, Barbara Krakow Gallery, Boston, MA (benefit)
Drawings and Photographs, Benefit Exhibition for Foundation for Contemporary
Performance Art, Inc., Matthew Marks Gallery, New York
2001 Affecting Invention, The Manipulated Photograph, Carrie Secrist Gallery, Chicago, IL
as far as the eye could see, Stark Gallery, New York, NY
Letter, Signs & Symbols, Brooke Alexander Editions, New York, NY
2002 Belles of Amherst: Contemporary Women Artists in the Collections of the Mead Art
Museum and University Gallery, Fairchild Gallery, Amherst College, Amherst, MA
Photographs from the Whitney Museum of American Art, 1940-2001, The Whitney
Museum of American Art, NY
Destination: The World, The Fuller Museum, Brockton, MA, traveled, (awarded “Best
Show in an alternative Gallery,� the International Association of Art Critics)
Four Artistæ, Emilio Mazzoli Galleria D’Arte Contemporanea, Modena, Italy
Ves@Work, Carpenter Center for the Visual Arts, Harvard, Cambridge, MA
2002 Belles of Amherst: Contemporary Women Artists in the Collections of the Mead Art
Museum and University Gallery, Fairchild Gallery, Amherst College, Amherst, MA
Photographs from the Whitney Museum of American Art, 1940-2001, The Whitney< Museum of American Art, NY
Destination: The World, The Fuller Museum, Brockton, MA, traveled, (awarded “Best Show in an alternative Gallery,� the International Association of Art Critics)
Four Artistæ, Emilio Mazzoli Galleria D’Arte Contemporanea, Modena, Italy
Ves@Work, Carpenter Center for the Visual Arts, Harvard, Cambridge, MA
2002-2003Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA
2003 The Auroral Light: Photographs by Women, from Grolier Club Member Collections, Grolier Club, New York, NY
Summer Exhibition, McKee Gallery, New York
Free Arts Annual Art Auction Benefit, Chelsea Art Museum, New York, NY
Bright Lights, Big City, David Zwirner Gallery, New York, NY
The Annual AIDS Benefit Exhibition, Barabara Krakow Gallery, Boston, MA
2003-2004 The Power of Wings: A SAVy Curated Exhibition, Duke University Museum of Art, Durham, NCv Yesterday Begins Tomorrow, Deste Foundation Center for Contemporary Art, Athens, Greece
Homeland, Whitney Museum of American Art, Independent Study Program Exhibition at the Art
Gallery of the Graduate Center, The City University of New York, NY
2004 McKee Gallery, New York
Baldwin Gallery, Aspen, CO
Speaking with Hands: Photographs from the Buhl Collection, Guggenheim Museum, NY
Mostly Photography: Art since 1980 from the Collection, Williams College Museum of Art,
Williamstown, MA
Plater Project, Mills Gallery, Boston Center for the Arts Benefit, Boston, MA
Lower Manhattan Cultural Council Annual art auction, to benefit The Agnes Martin Artist
Fellowship Fund, NYC, NY
2005 Provocations, Judy Ann Goldman Fine Art, Boston, MA.
Art From The 80’s, Princeton University Art Gallery, Princeton, NJ
Katrina Benefit, hosted by InterReview Magazine, October 2006, Los Angeles, CA
Great Buys: Museum Purchases, Dewey Gallery, DeCordova Museum and Sculpture Park , Lincoln, MA
2006 Skin As A Lannguage, curated by Carter Foster and Apsara DiQuinzio, Whitney Museum of American Art, NYC NY
Group Show, Mckee Gallery, NYC, NY
Group Show, Baldwin Gallery, Aspen, CO
Recent Aquisitions Part 1, Scottsdale Museum of Contemporary Art, May – Sept 2006
Barbara Krakow Gallery, Boston, MA, June, 2006
21st Century American Artists, Art in Embassies Program, Truman Hall, Brussels, Belgium.
Hartford Art School Alumni Exhibition, Joseloff Gallery, Hartford Art School,University of Hartford, W Hartford, CT
Aldrich Undercover, Benefit Exhibition, The Aldrich Contemporary Art Museum, Ridgefield, CT
Responding to Kahn: A Sculptural Conversation, Yale University Art Gallery, New Haven, CT
2007 Uncontained, Whitney Museum of Art, NYC, NY
Group Exhibition, Baldwin Gallery, Aspen, CO
Group Exhibition, McKee Gallery, NYC, NY
Commemorating 30 years, Rhona Hoffman Gallery, Chicago IL
Making and Finding, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, NY
Summer of Love, ’07, Susan Inglett Galllery, NYC, NY
Collezionemaramotti, Reggio Emilia, Italy
Chicago Art Fair, Paul Kasmin Gallery, NYC
Frieze Art Fair, Paul Kasmin Gallery, NYC