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ROBERT LONGO |
Artiste: Robert Longo
Texte: Achille Bonito Oliva, Richard Milazzo
Année:2000
Pag.: 181 p.; 59 ill. (col.)
hxlxp: 40 x 32 x 2,5 cm
texte: it. / en.; couverture rigide en tissu, couvre livre plastifié |
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FIRE, WATER, ROCK |
Artiste: Robert Longo
Texte: Richard Milazzo, Achille Bonito Oliva
Année:2005
Pag.: 112 p.; ill.(col.)
hxlxp: 33.5 x 24 x 2 cm
texte: it. / en.; couverture rigide en tissu, couvre livre plastifié |
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| Robert Longo - Biographie |
1953 Born in Brooklyn, NY. Lives and works in NY
| Solo Exhibitions |
| 2009 |
No Wave, SAKSgallerySA, Geneva, Switzerland |
| |
Robert Longo: Survey Exhibition 1980-2009, Musee D'Art Moderne Et D'Art Contemporain, Nice, France (cat.) |
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Surrendering the Absolutes, Metro Pictures, New York, NY |
| |
Dancing With Chains On, Galerie Hans Mayer, Düsseldorf, Germany |
| 2008 |
"Nights Bright Days", Margo Leavin Gallery, Los Angeles, CA |
| |
Intimate Immensity, Galeria Soledad Lorenzo, Madrid, Spain (cat.) |
| 2007 |
Children of Nyx, Metro Pictures, New York, NY |
| |
Beginning of the World, Galerie Hans Mayer, Düsseldorf, Germany |
| 2006 |
The Outward and Visible Signs of an Inward and Invisible Grace, Metro Pictures, New York, NY |
| |
Ouroboros, Galerie Daniel Templon, Paris, France |
| 2005 |
Robert Longo: Fire, Water, Rock (2003-2005), Galleria Emilio Mazzoli, Modena, Italy (cat.), Curated by Richard Milazzo |
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"Something Wicked This Way Comes", Margo Leavin Gallery, Los Angeles, CA |
| |
Robert Longo: Deep Silence, Monchehaus Museum, Goslar, Germany |
| 2004 |
The Sickness of Reason, Metro Pictures, New York, NY |
| 2003 |
Lust of the Eye, Galeria Soledad Lorenzo, Madrid, Spain (cat.) |
| 2002 |
Monsters, Metro Pictures, New York, NY |
| |
Robert Longo: Sigmund Freud, Jüdisches Museum, Berlin, Germany |
| |
The Freud Drawings, Museen Haus Lange und Haus Esters, Krefelder Kunstmeseen, Krefeld, Germany; Albertina Museum, Vienna, Austria (cat.) |
| 2001 |
The Freud Drawings, Metro Pictures, New York, NY |
| 2000 |
Robert Longo: Superheroes, Lipanjepuntin Artecontemporanea, Trieste, Italy |
| |
Robert Longo: 1980 - 2000, Galleria Emilio Mazzoli, Modena, Italy (cat.) Curated by Richard Milazzo |
| 1998 |
Robert Longo, Gallery Cotthem, Belgium; Cotthem Gallery, Barcelona |
| 1997 |
Magellan, Metro Pictures, New York, NY |
| |
Das Magellan Projekt, Kunsthalle Tubingen, Tubingen, Germany; Kunsthal Rotterdam, Rotterdam, The Netherlands; Kunstalle Bielefeld, Bielefeld, Germany (cat.) |
| |
Venice Biennale, Venice, Italy |
| 1996 |
Robert Longo: Kreuze, Museum Fridericianum, Kassel, Germany |
| 1995 |
Robert Longo: A Retrospective, The Isetan Museum of Art, Tokyo; Ashikaga City Museum; Kirin Plaza Art Space, Osaka (cat.) |
| |
Johnny Paintings, Galerie Gana-Beaubourg, Paris, France; Galerie Lüpke, Frankfurt, Germany |
| |
Johnny Mnemonic: Works on Paper, Galerie Thaddaeus Ropac, Paris, France |
| 1994 |
Robert Longo, Genereux Grunwald Gallery, Toronto, Canada |
| |
Robert Longo, Galerie Hans Mayer, Düsseldorf, Germany |
| 1993 |
Bodyhammers: The Cult of the Gun, Metro Pictures, New York; Galerie Thaddaeus Ropac, Salzburg, Austria |
| |
Robert Longo, Kleines Festspielhaus, Salzburg, Austria |
| |
Killing Time, Galeria Joan Prats, Barcelona; Galeria Joan Prats, New York |
| 1992 |
When Heaven and Hell Change Places, Galerie Hans Mayer, Düsseldorf, Germany (brochure) |
| |
Dreams With The Wrong Solutions, Salzburg Grand Opera House, Salzburg, Austria |
| 1991 |
Robert Longo, Linda Cathcart Gallery, Los Angeles, CA |
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Robert Longo, Texas Gallery, Houston, TX |
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Robert Longo, Hamburger Kunstverein and Deichtorhallen, Hamburg, Germany (cat.) |
| |
Faith in Zero Project, Five Gallery installation: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France |
| 1990 |
Black Flags, Galerie Daniel Templon, Paris, France; Metro Pictures, New York, NY (cat.) |
| 1989 |
Robert Longo 1976-1989, The Los Angeles County Museum of Art; Museum of Contemporary Art, Chicago and the Wadsworth Atheneum, Hartford, Connecticut_ (Retrospective) (cat.) |
| |
Robert Longo, Seibu Contemporary Art Gallery, Tokyo, Japan |
| |
Robert Longo, Linda Cathcart Gallery, Los Angeles, CA |
| 1988 |
Robert Longo, Metro Pictures, New York, NY |
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Robert Longo, Menil Collection, Houston, TX |
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Robert Longo, Museum Boymans van Beuningen, Rotterdam, The Netherlands |
| 1987 |
Robert Longo, Galerie Daniel Templon, Paris, France |
| 1986 |
Steel Angels Part I & Part II, Metro Pictures, New York, NY |
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Robert Longo, Donald Young Gallery, Chicago, IL |
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Robert Longo, Spiral Gallery, Wacoal Art Center, Tokyo, Japan (cat.) |
| |
Robert Longo: Studies and Prints, Mackenzie Art Gallery, University of Regina, Canada (cat.) |
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Sequences/Men in the Cities, University Art Museum, California State University, Long Beach, CA; Contemporary Arts Museum, Houston, TX; Fort Wayne Museum of Art, Fort Wayne, IN (cat.) |
| 1985 |
Robert Longo, The Brooklyn Museum, Brooklyn, NY |
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Robert Longo, Stedelijk Museum, Amsterdam, The Netherlands |
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Robert Longo, Lia Rumma Gallery, Naples, Italy |
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Robert Longo: Dis-Illusions, University of Iowa Museum of Art, Iowa (cat.) |
| 1984 |
Robert Longo, Metro Pictures, New York, NY |
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Robert Longo: Drawings & Reliefs, Akron Art Museum, Akron, OH (cat.) |
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Robert Longo, Larry Gagosian Gallery, Los Angeles, CA |
| 1983 |
Robert Longo, Metro Pictures, New York, NY |
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Robert Longo, Leo Castelli Gallery, New York, NY |
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Robert Longo, Galerie Schellmann & Kluser, Munich, Germany |
| 1982 |
Robert Longo, Texas Gallery, Houston, TX |
| 1981 |
Men in the Cities, Metro Pictures, New York, NY |
| |
Robert Longo, Fine Arts Center, University of Rhode Island, Kingston |
| 1980 |
Robert Longo, Studio Cannaviello, Milan, ITaly |
| 1979 |
Robert Longo, The Kitchen, New York, NY |
| 1976 |
Robert Longo, Hallwalls, Buffalo, NY |
|
| Group Exhibitions |
| 2009 |
The Pictures Generation, 1974-1984 The Metropolitan Museum of Art, New York, NY |
| |
Three: The Triptych in Modern Art, Kunstmuseum Stuttgart, Stuttgart, Germany |
| 2008 |
Sonic Youth etc.: Sensational Fix, Museion Museum of Modern and Contemporary Art, Bolzano, Italy |
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Political Correct, BFAS Blondeau Fine Art Services, Geneva |
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to: Night, The Hunter College Art Galleries, New York (cat.) |
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The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum,_ Gunma Museum of Art_, Tatebayashi, Japan (cat.) |
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Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, Boston, MA (cat.) |
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The Big Bang, Museo Carlo Bilotti, Rome (cat.) |
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That Was Then…This Is Now, P.S.1 Contemporary Art Center, New York |
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Landscope, Galerie Thaddaeus Ropac, Paris (cat.) |
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Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York |
| 2007 |
Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago; Museum of Contemporary Art, North Miami; Musée D’Art Contemporain, Montréal (2007-2009) (cat.) |
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Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York (cat.) |
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Chelsea to Caochangdi, Chambers Fine Art, Bejing |
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History Will Repeat Itself, KW Institute for Contemporary Art, Berlin; Hartware MedienKunstVerein, Dortmund; Centre for Contemporary Art, Ujazdowski Castle, Warsaw (2007-2008) (cat.) |
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Panic Attack! Art in the Punk Years, Barbican Art Gallery, London (cat.) |
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Lights, Camera, Action: Artist Films for the Cinema, Kaufman Astoria Studios, New York |
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Hot Rock, Transmission Gallery, Scotland |
| 2006 |
Fifth Interpretation of the Collection, La Colección Jumex, Pachuca, Mexico (cat.) |
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New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco (cat.) |
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Les Mouvement des Images, Centre Pompidou, France (cat.) |
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Ma+h Coun+s, Curated by Barry Rosenberg, University of Connecticut, Connecticut |
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The Downtown Art Show: The New York Art Scene 1974-1984, Grey Art Gallery, Fales Library, New York University (cat.) |
| 2005 |
Neo-Baroque, Byblos Art Gallery, Verona (cat.) |
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Atomica: Making the Visible Invisible, Lombard-Freid Fine Arts, New York |
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Flashback: Revisiting the Art of the Eighties, Kunstmuseum Museum for Gegenwartskunst, Basel |
| |
Drawing from the Modern, MoMA, New York |
| 2004 |
Biennial, Whitney Museum of American Art, New York (cat.) |
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American Art of the 1980s: selections from the Broad Collections, Washington University Gallery of Art, St. Louis, Missouri |
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Freud - The Creative Analysis of Analysis, University of Connecticut, Storrs, CT |
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NY Collects Buffalo State, Buffalo State College, New York |
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News From Home (Orientalism <> Occidentalism), The Annex, New York (cat.) |
| |
Perspectives at 25, Contemporary Arts Museum, Houston, Texas (cat.) |
| |
Off the Wall, Bruce Museum of Arts and Science, Greenwich, CT (cat.) |
| 2003 |
Drawings, Metro Pictures, New York |
| |
Art, Lies, and Videotape: Exposing Performance, Tate Liverpool, Liverpool, England (cat.) |
| 2002 |
Group Show, Metro Pictures, New York |
| |
The Human Factor: Figuration in American Art, 1950-1995, Fort Wayne Museum of Art, Fort Wayne, Indiana |
| |
Super Heroes, Galerie Edward Mitterand, Geneva |
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Melodrama, Atrium, Vitoria-Gasteiz, Spain; Centro José Guerrero, Grenada, Spain; MARCO, Vigo, Spain (cat.) |
| 2001 |
Postmodern Americans, The Menil Collection, Houston |
| |
I Need You to Be There, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York |
| |
Pictures at an Exhibition, Artists Space, New York |
| |
Streit-Lust - For Argument's Sake, Ludwig Forum für Internationale Kunst, Aachen, Germany (cat.) |
| 2000 |
End Papers, Neuberger Museum of Art, Purchase, New York (cat.) |
| |
Around 1984, A Look at the Eighties, P.S. 1, New York |
| |
Group Show, Metro Pictures, New York |
| 1999 |
The Kiasma Collection, The Museum of Contemporary Art, Helsinki |
| 1998 |
I Love Art, In Kahn, New York |
| |
The Edward R. Broida Collection: A Selection of Works, The Orlando Museum of Art, Florida (cat.) |
| |
Stills: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Annandale-on-Hudson, New York (broch.) |
| 1997 |
Landscape: The Pastoral to the Urban, Center for Curatorial Studies, Bard College (June 15 - August 2) |
| |
La Biennale di Venezia: XLVII Esposizione Internationale d"Arte, Venice, Italy (cat.) |
| |
Views from Abroad: European Perspectives on American Art 3, Whitney Museum of American Art, New York (cat.) |
| |
Stills: Art and Cinema in the Marieluise Hessel Collection, Centro Cultural Light Rio de Janeiro, November 19 - January 4, 1998 (cat.) |
| 1996 |
Group Show, Metro Pictures, New York |
| |
New York "Unplugged II", Gallery Cotthem, Knokke-Zoute, Belgium |
| |
Bang! The Gun as Image, Florida State University Museum of Fine Arts, Tallahassee, Florida (cat.) |
| 1995 |
Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, New York (cat.) |
| |
Group Show, Metro Pictures, New York |
| |
It's Only Rock and Roll, Contemporary Art Center, Cincinnati, Ohio Travelling venues through 1998 (cat.) |
| |
Passions Privee, Musée d'Art Moderne de la Ville de Paris, Paris |
| |
Alternatives: 20 Years of Hallwalls Contemporary Art Center: 1975-1995, Burchfield-Penney Art Center, Buffalo, New York |
| |
(Op) Art Galerie, Galerie Hans Mayer, Düsseldorf, Germany (cat.) |
| 1994 |
New York on Paper, Galerie Thaddaeus Ropac, Paris |
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Drawings: Reaffirming the Media, Kansas City Gallery of Art, University of Missouri (cat.) |
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Le Temps d'un Dessin, Galerie de l'Ecole des Beaux-Arts de Losient |
| |
Old Glory: The American Flag in Contemporary Art, Cleveland Center for Contemporary Art, Cleveland, OH; American Embassy, Copenhagen |
| |
Art in Embassies Program, American Embassy, Copenhagen |
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New York "Unplugged", Gallery Cotthem, Zeedijk |
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Summer Academy I, Pace Wildenstein Gallery, New York |
| |
Fuori USO 1994, Kulturna Manifestacija, traveled to Ex Opififio Gaslini, Pescara; Trevi Flash Art Museum of Contemporary Art, Trevi, Cankarjev Dom, Slovenija |
| |
For 25 Years: Brooke Alexander Editions, MoMA, New York |
| |
Group Show, Metro Pictures, New York |
| |
Oh Boy, It's a Girl: Feminismen in der Kunst, Kunstverein Munich (cat.) |
| |
Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina |
| |
After Art: Rethinking 150 Years of Photography, Henry Art Gallery, University of Washington, Seattle, Washington (Traveling exhib., cat.) |
| |
Sustainable Earth/ Sustainable Art, Remba Gallery, West Hollywood, California |
| 1993 |
Lucio Silla Group Exhibit, Kleines Festspielhaus, Salzburg, Austria |
| |
Group Show, Metro Pictures, New York |
| |
American Postmodern Art (Longo, Schnabel, Salle, Fischl) Ho-Am Art Gallery, Seoul, Korea (cat.) |
| |
The 21st Century, Kunsthalle Basel, Switzerland (cat.) |
| |
8 American Artists, Galerie Bernd Klüser, Munich |
| 1992 |
Allegories of Modernism: Contemporary Drawing, MoMA, New York (cat.) |
| |
Group Show, Metro Pictures, New York |
| |
American Art of the 80's, Museo d'Arte Moderna e Contemporanea di Trento, Italy (cat.) |
| |
Killing Time, collaborative installation with Jon Kessler, Centre de Recherche d'Exchange et de Diffusion pour l'Art Contemporain (CREDAC), Ivre Sur Seine, France |
| 1991 |
Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose |
| |
Power, Indianapolis Museum of Art, Indianapolis |
| 1990 |
Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago (cat.) |
| 1989 |
A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles (cat.) |
| |
Fondation Daniel Templon: Musee Temporaire Exposition Inaugurale, Frejus, France (cat.) |
| |
Image World: Art and Media Culture, The Whitney Museum of Art, New York (cat.) |
| 1988 |
Altered States, Kent Fine Arts, New York |
| |
Concept et Imaginatione (recent works from the photographic collection of the Stedelijk Museum), L'Institut Neerlandais, Paris |
| |
Visions/ Revisions: Contemporary Representation, Marlborough Gallery, New York |
| |
1988 The World of Art Today, Milwaukee Art Museum (cat.) |
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The Postmodern Explained to Children, Bonnefantenmuseum, Maastricht, Holland (cat.) |
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American Art Since 1945, Tochigi Prefectual Museum of Fine Arts, Japan (cat.) |
| |
Three Decades: The Oliver Hoffman Collection, Museum of Contemporary Art, Chicago |
| 1987 |
Documenta 8, Kassel, West Germany (cat.) |
| |
L'Epoque, La Mode, La Morale, La Passion, 1977-1987, Musee national d'Art moderne, Centre Georges Pompidou, Paris (cat.) |
| |
Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (cat.) |
| |
Implosion: A Postmodern Perspective, Moderna Museet, Stockholm (cat.) |
| |
Process and Product: The Making of Eight Contemporary Masterworks, Blum Art Institute, Bard College, Anandale-on Hudson, New York )cat.) |
| |
Post-Abstract Abstraction, essay by Eugene Schwartz, The Aldrich Museum of Contemporary Art, Connecticut (cat.) |
| 1986 |
An American Renaissance in Art: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale (cat.) |
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The American Exhibition, The Art Institute of Chicago |
| |
Das Automobil in der Kunst 1886-1986, Haus der Kunst, Munich (cat.) |
| |
Hommage a Beuys, Stadtische Galerie im Lenbachhaus, Munich |
| |
Monumental Drawing: Works by 22 Contemporary Americans, The Brooklyn Museum of Art, New York (cat.) |
| 1985 |
Figure It Out: Exploring the Figure in Contemporary Art, Laguna Gloria Art Museum, Austin, Texas |
| |
New York 85, ARCA Centre d'Art Contemporain, Marseille (cat.) |
| |
Body and Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, Ohio |
| |
Anniottanta, Galleria Comunale d'Arte Moderna, Bologna, Italy (cat.) |
| |
Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh |
| |
New York Art Now: Correspondences, Laforet Museum, Tokyo; (1986) Tochigi Prefectural Museum of Fine Arts, Tochigi; Tazaki Hall Espace Media, Kobe, Japan |
| 1984 |
Endgame: Robert Morris, Laurie Anderson, Robert Longo, Hunter College Art Gallery, New York (cat.) |
| |
The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney, Australia (cat.) |
| |
Alibis, Centre Georges Pompidou, Musee National d'Art Moderne, Paris (cat.) |
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Automobile and Culture, Museum of Contemporary Art, Los Angeles; (1985) Detroit Institute of Art, Michigan |
| |
The Human Condition: Biennial III, San Francisco Museum of Modern Art |
| |
The Heroic Figure, Contemporary Arts Museum, Houston; (1984-1985) Brooks Memorial Art Gallery, Memphis; Alexandria Museum, Alexandria, Kentucky; The Santa Barbara Museum of Art, Santa Barbara, California (cat.) |
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Currents, Institute of Contemporary Art, Boston |
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Content: A Contemporary Focus, 1974-1984, Hirshhorn Museum, Washington, D.C. (cat.) |
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La Narrativa Internacional de Hoy, Museo Rufino Tamayo, Mexico City; (1985) P.S. 1, New York |
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Disarming Images, The Contemporary Arts Center, Cincinnati; (1984-1985) University Art Gallery, San Diego State University, California; Museum of Art, Washington State University, Pullman; New York State Museum, Albany; University Art Museum, University of California, Santa Barbara; Munson-Williams-Proctor Institute Museum of Art, Utica, New York,; Fine Arts Gallery, University of Nevada, Las Vegas; Baxter Art Gallery, California Institute of Technologu, Pasadena; Yellowstone Art Center, Billings, Montana; Bronx Museum of the Arts, New York |
| |
Szene New York '84, Rheinhallen, Koln Messe, Cologne (cat.) |
| 1983 |
Drawing Conclusions, Daniel Weinberg Gallery, Los Angeles and San Francisco |
| |
Directions 1983, Hirshhorn Museum, Washington, D.C. (cat.) |
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1983 Biennial exhibition, The Whitney Museum American Art, New York (cat.) |
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The New Art, Tate Gallery, London (cat.) |
| |
Brave New Works: Recent American Painting and Drawing, Museum of Fine Arts, Boston |
| |
Back to the U.S.A., Kunstmuseum Lucerne; (1983-1984) Rheinishes Landesmuseum, Bonn; Wurttembergischer Kunstverein, Stuttgart (cat.) |
| |
Dahn, Daniels, Genzken, Holzer, Longo, Visch, Stedelijk van Abbemuseum Eindhoven, Holland (cat.) |
| |
Drawings Photographs, Leo Castelli, New York |
| |
The Heroic Figure: Thirteen Artists from the United States, Museum de Arte Moderna, Rio de Janeiro; Museo Nacional de Bellas Artes, Santiago; Museo de Arte Contemporaneo, Caracas |
| |
An International Survey of Recent Painting and Sculpture, MoMA, New York (cat.) |
| 1982 |
Dynamix, The Contemporary Arts Center, Cincinnati; Ohio State University, Colombus; Allen Memorial Art Museum, Oberlin, Ohio; The Butler Institute of American Art, Youngstown, Ohio; The University Art Museum, University of Kentucky, Lexington (cat.) |
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The Human Figure in Contemporary Art, Contemporary Arts Center, New Orleans |
| |
Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis (cat.) |
| |
Focus on the Figure: Twenty Years, The Whitney Museum of American Art, New York (cat.) |
| |
Documenta 7, Kassel, West Germany (cat.) |
| |
A Fatal Attraction: Art and the Media, The Renaissance Society, University of Chicago |
| |
Drawings, Blum Helman Gallery, New York |
| |
New Figuration in America, Milwaukee Art Center (cat.) |
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The American Expressionist Image from Pollock to Today, Sidney Janis Gallery, New York |
| |
The Image Scavengers, Institute of Contemporary Art, Philadelphia (cat.) |
| |
Body Language, Committee for the Visual Arts, MIT, Cambridge, Massachusetts (cat.) |
| |
Urban Kisses, Institute of Contemporary Art, London |
| 1981 |
Il Gergo Inquieto, Museo Sant'Agostino, Genoa, Italy |
| |
Tableau, Wave Hill, New York (cat.) |
| |
Picturealism - New York, Galerie Chantel Crousel, Paris |
| |
Westkunst: Today Section, Museen der Stadt Koln, Cologne (cat.) |
| |
Drawings, Metro Pictures, New York |
| |
Body Language: Figurative Aspects of Recent Art, Hayden Gallery, Massachusetts Institute of Technology, Cambridge; (1982-1983) Forth Worth Art Museum, Texas; University of South Florida Art Gallery, Tampa; Contemporary Arts Center, Cincinnati |
| |
Figures: Forms and Expressions, Albright-Knox Art Gallery, Buffalo, New York (cat.) |
| 1980 |
Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, Contemporary Arts Museum, Houston (cat.) |
| |
Illustration & Allegory, Brooke Alexander Gallery, New York (cat.) |
| |
Opening Group Exhibition, Metro Pictures, New York |
| 1979 |
Re: Figuration, Max Protetch Gallery, New York |
| 1977 |
In Western New York, Albright-Knox Art Gallery, Buffalo, New York (cat.) |
| |
Pictures, Artists Space, New York; (1977-1978) Allen Memorial Art Museum, Oberlin, Ohio; Fine Arts Museum, University of Colorado, Boulder; Los Angeles Institute of Contemporary Art (cat.) |
| 1976 |
Convergence and Dispersal, S.E.M. Festival, Albright -Knox Art Gallery, Buffalo, New York |
| |
Hallwalls Group Show, Artists Space, New York |
| 1975 |
Working on Paper, Hallwalls (opening exhibition), Buffalo, New York |
|
| Film and Video Direction |
| 2000 |
Limited and Unlimited Editions, Artists Space, New York (benefit exhibition) |
| 1998 |
Stills: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Annandale-on-Hudson, New York (brochure) |
| 1997 |
Heinrich Heine - A Birthday Video, 1 hr. film starring: Klaus Pohl, Barbara SUkowa, Sanda Wiegl & CIndy Sherman, made for Arté television channel (France, Germany), WDR and Icon Pictures |
| 1995 |
Johnny Mnemonic, feature film starring: Keanu Reeves, Dolph Lundgren, Barbara Sukowa, Henry Rollins, Ice-T Takeshi Kitano and Dina Meyer. Adaptation of a short story by William Gibson. Caroloco Films, Tristar Pictures |
| 1994 |
Art in Embassies Program, U.S. Embassy, Copenhagen, Denmark |
| 1993 |
Series showcasing all films and videos directed by Robert Longo at ELAC (Espace Lyonnais d'Art Contemporain, Lyon, France |
| 1992 |
Tales From the Crypt: This'll Kill Ya, featuring Sonia Braga, Dylan McDermott, Premier HBO episode for the television series |
| |
Plan B's Life's A Beat, Hamburg, Germany, Markenfilm |
| |
Helmet's Give It, featuring Eric Bogosian, Icon Pictures |
| 1988 |
Vernon Reid and Living Colour's Middle Man, Epic Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures |
| |
Ruben Blades' Hopes on Hold, Elektra Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures |
| |
American Vanity, 10 min. video starring: Eric Bogosian, produced by Victoria Hamburg, edited by Gretchen Bender, Pressure Pictures |
| 1987 |
Arena Brains, Elektra/ Asylum Records, 34 min. film premiered at New York Film Festival, released on home video in 1988, produced by Victoria Hamburg and Jonathan Bender, edited by Rick Feist, written by Eric Bogosian, E. Max Frye, Robert Longo, Emily Prager and Richard Price, Pressure Pictures. |
| |
R.E.M.'s The One I Love, IRS Records, produced by Victoria Hamburg, edited by Gretchen Bender, nominated for Best Director, MTV Awards, 1988, Pressure Pictures |
| |
Wild Cards, MTV, series of Art Breaks, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures. |
| |
World Saxophone Quartet's Hattie Wall, Elektra/ Nonesuch Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures |
| 1986 |
Golden Palominos' Boy (go), Celluloid Records, produced by Melissa Lewis, edited by Gretchen Bender |
| |
New Order's Bizarre Love Triangle, Factory Communications, produced by Michael Shamberg, edited by Gretchen Bender |
| |
Megadeth's Peace Sells, Capitol Records, produced by Victoria Hamburg, edited by Gretchen Bender, Pressure Pictures |
|
| Awards: |
| 2005 |
The Goslar Kaiser Ring |
|
| Performances, Installations and Design |
| 2006 |
The Movement of Images, Centre Pompidou Editions, Paris, (cover design) |
| 1999 |
Dorfman Projects, New York |
| 1993 |
Suicide in Madrid, set and costume design for the play by Klaus Pole, at the Schauspielhaus, Zürich, Switzerland; touring in Hamburg, Düsseldorf, Cologne, Münich, Edinburgh, New York, London and Tokyo |
| 1992 |
Lucio Silla, Co-Director, set and costume designer for the Mozart Opera, Mozart Festival, Salzburg, Austria. Also presented at the 1993 Mozart Festival, Salzburg, Austria; 1995 Mozart Opera, Frankfurt Opera House, Frankfrt. |
| 1989 |
Dream Jumbo: Working the Absolutes, Royce Hall, UCLA, Los Angeles |
| 1988 |
Solid Ashes, a collaboration with Janine Brogt and Paul Gallis Rotterdamse Schouwburg, Rotterdam |
| 1987 |
Killing Angels, Burchfield Art Center, Buffalo State College, Buffalo, New York |
| 1985 |
Performance Works 1977-1981, The Brooklyn Museum, New York |
| 1984 |
Sound Distance of a Good Man, Surrender, Corcoran gallery Annex, Venice California |
| 1982 |
Sound Distance, The Kitchen, New York |
| 1981 |
Empire: A Performance Trilogy, The Corcoran Gallery of Art, Washington, D.C. |
| 1979 |
Surrender, Moderna Museet, Stockholm; Amerika Haus, Berlin; American Center, Paris; Van Abbemuseum Eindhoven, Holland |
| 1978 |
Sound Distance of a Good Man, Franklin Furnace, New York |
| 1976 |
Artful dodger/ L'Espace comme fiction, Hallwalls, Buffalo, New York |
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