Selected One-Person Exhibitions
1964 Washington Square Gallery, New York.
1965 Weatherspoon Gallery, University of North Carolina,
Greensboro.
1966 Dwan Gallery, New York, Sound Objects.
1967 Dwan Gallery, New York, Six Sites.
1970 Dwan Gallery, New York Continuum.
Dwan Gallery, New York, Steel Rods (Three Conic Sections).
1973 OK Harris Gallery, New York.
1977 P.S. 1 Museum, Long Island City, New York.
1978 Max Hetzler Gallery, Stuttgart.
1979 The Whitney Museum of American Art, New York,
Re-visions: Perspectives and Proposals in Film and Video.
Kunstmuseum, Düsseldorf, Coincidents.
1981 The Whitney Museum of American Art, New York.
Collapse: Sculpture for a Public Space, commissioned by the
Whitney Museum and exhibited at the Lincoln Center Complex.
1982 Ericson Gallery, New York, Diary Paintings.
1987 Bess Cutler Gallery, New York.
1988 Bess Cutler Gallery, New York.
Stalke Galleri, Copenhagen.
1989 Scott Hanson Gallery, New York, William Anastasi: A Selection
of Works from 1960 to 1989.
The Mattress Factory Museum, Pittsburgh.
1990 Ball State University, Muncie, Indiana, Incidents and Coincidents:
A Retrospective.
1991 Sandra Gering Gallery, New York, William Anastasi:
Sink, Trespass, Issue, Incision.
1992 Anders Tornberg Gallery, Lund, Sweden, Works 1963-1992.
1993 Sandra Gering Gallery, New York, Du Jarry, exhibition of original
manuscript.
Philadelphia Museum of Art, Pennsylvania, Drawing Sounds:
An Installation in Honor of John Cage.
1994 Kristal Fahl Gallery, Stockholm.
The Sorbonne, Paris, me innerman monophone, oeuvre
conceptuelle, exhibition of original manuscript and paper given on
“Jarry in Joyce.”
1995 The Pier Gallery, Stromness, Orkney, Scotland, William Anastasi:
Works from 1961 to 1995.
Rosenbach Museum and Library, Philadelphia, ten manuscript
pages from me innerman monophone: Jarry in Joyce, shown
alternating with the first ten manuscript pages of James Joyce’s
Ulysses.
Anders Tornberg, Lund, Sweden, William Anastasi.
Moore College of Art and Design, Philadelphia, Pennsylvania,
William Anastasi: A Retrospective, 1960-95.
Sandra Gering Gallery, New York, Abandoned Paintings.
1996 Stalke Kunsthandel, Copenhagen.
1997 Sandra Gering Gallery, New York, The Painting of the Word ‘Jew’
Stalke Out of Space, Copenhagen.
Hubert Winter Gallery, Vienna.
1998 Philadelphia Museum of Judaica, Pennsylvania, I Am A Jew.
1999 Landes Museum, Linz, vor mehr alseinem halben Jahrhundert.
Gary Tatintsian Gallery, New York, Drawings.
2000 Art Agents, Hamburg, William Anastasi.
2001 Nikolaj Contemporary Art Center, Copenhagen, William Anastasi:
A Retrospective, 1961-2000.
2003 White Box Annex, New York, Blind.
2004 Solway Jones, Los Angeles, California, William Anastasi.
Slought Foundation, Philadelphia, Pennsylvania, William Anastasi:
me altar’s egoes.
2005 Stalke Galleri, Copenhagen, New paperworks.
Thomas Rehbein Gallery, Köln, Without Title.
Art Agents Gallery, Hamburg, Blind.
2006 Bjorn Ressle Fine Art, New York, William Anastasi:
Works from the ‘60s to the Present.
Baumgartner Gallery, New York, William Anastasi:
You’re Through.
2007 The Drawing Center, New York, William Anastasi, Raw.
Michael Benevento, The Orange Group, Los Angeles, California,
William Anastasi, Paintings and Drawings.
2008 Peter Blum Gallery, New York, Opposites Are Identical.
2009 Galleria Emilio Mazzoli, Modena, Italy, William Anastasi:
Paintings, Small Works, Drawings
Selected Group Exhibitions
1964 Betty Parsons Gallery, New York.
1967 Dwan Gallery, New York, Language.
1969 Leo Castelli Gallery, New York, E.A.T. Benefit.
1970 Musée Cantonal des Beaux-Arts, Lausanne, Switzerland.
Musée d’Art Moderne de la Ville de Paris.
Dwan Gallery, New York, Group Show.
1972 Paula Cooper Gallery, New York.
1976-77 Open to New Ideas: Art for Jimmy Carter, An exhibition
assembled for the Georgia Museum’s permanent collection which
toured major U.S. museums.
1977 P.S. 1 Museum, Long Island City, New York, Projects for the
Seventies [Traveled to Lisbon, Warsaw, Ankara, Tel Aviv,
Bucharest, Madrid, Reykjavik, Ottawa].
1978 Paula Cooper Gallery, New York.
Anna Canepa, Video Distribution, New York.
PS1 Contemporary Art Center, Long Island City, New York,
Couples.
The Georgia Museum of Art, Athens, Art for Jimmy Carter.
Hudson River Museum, New York, Terminus.
1979 P.S. 1 Museum, Long Island City, Sound.
The Hudson River Museum, New York, Terminus.
Leo Castelli Gallery, New York, Benefit for Contemporary
Performance Arts.
Interart Gallery, New York, Fluxus’ New Interpreters.
1980 The Clocktower, New York, Film as Installation.
Akademie Der Kunste, Berlin, Fur Augen und Ohren.
Musée d’Art Moderne de la Ville de Paris, Ecoute par les Yeux.
1981 Ericson Gallery, New York, 8 Painters.
Ericson Gallery, New York, Group Show.
The Whitney Museum of American Art, New York, Biennial ’81.
1982 The American Academy of Arts and Letters, New York, Annual
Awards.
The American Center, Paris, Exhibition in Honor of John Cage.
Erickson Gallery, New York, Group Show.
1983 The Clocktower, New York, Film as Installation II.
Leo Castelli Gallery, New York, Benefit for Merce Cunningham Dance Company.
1985 Science Museum, Koran-Sha Company, Tokyo.
1987 Bess Cutler Gallery, New York.
The New Museum of Contemporary Art, New York, Reading Art.
Lehman College Art Gallery, City University of New York,
Merce Cunningham and His Collaborators.
City Without Walls, Newark, New Jersey, On Line, An Exhibition
of Drawings.
Lorence Monk Gallery, New York, Benefit for AIDS.
1988 Leo Castelli Gallery, New York, Benefit for Contemporary
Performing Arts.
Blum Helman Gallery, New York, The Cunningham Benefit Art
Exhibition and Sale.
Chalon-sur-Saone, Paris, Espace des “Concept Art” [Traveled to:
Stalke Galleri, Copenhagen; Brigitte March Galleri, Stuttgart].
The Jewish Museum, New York, Re-opening of the Jewish Museum.
Stux Gallery, Boston.
1989 John Gibson Gallery, New York, Buena Vista.
The New Museum, New York, Chaos.
1990 Winter Casino, Venice, Italy, Casino Fantasma.
Sandra Gering Gallery, New York, Anastasi, Bradshaw, Cage,
Marioni, Rauschenberg, Tobey.
1991 Sandra Gering Gallery, New York, Anastasi, Bradshaw, Cage,
Marioni, Rauschenberg, Tobey.
Arte Museum, Austin, Texas, How to Use Small Areas in a Dozen
Different Ways to Bring a Room to Life.
1992 Grace Borgenicht Gallery, New York, Concurrencies.
1993 The Los Angeles Museum of Contemporary Art, CA,
Rolywholyover Circus. [Traveled to: The Menil Collection,
Houston; Solomon R Guggenheim Museum, Soho, New York;
The Philadelphia Museum of Art, Pennsylvania; Mito Art Tower,
Mito, Japan].
The Philadelphia Museum of Art, Pennsylvania, William
Anastasi Drawing Sounds: An Installation in Honor of John Cage.
The Drawing Center, New York, The Return of the Cadavre
Equis [Traveled to: Corcoran Gallery of Art, Washington, DC;
Santa Monica Museum of Art, California; Forum for Contemporary
Art, St. Louis, Missouri; The American Center, Paris].
William Patterson College, New Jersey, Concurrrencies II.
1994 Werner H. Kramarsky, New York, Drawings.
Sandra Gering Gallery, New York, Autobodyography.
1995 Ludwig Museum, Koblenz, Germany, Sound Sculpture:
Music for the Eyes.
The Rosenbach Museum & Library, Philadelphia, PA,
Joyce and the Visual Arts.
Stark Gallery, New York, Dark Room.
1996 Hubert Winter Gallery, Vienna.
Linda Kirkland Gallery, New York
Museum of Modern Art, New York, Drawing on Chance
(Selections from the Collection).
The Swiss Institute, New York, Time Wise.
Carnegie Museum of Art, Pittsburgh, Charles Carpenter
Collection [Traveled to: The Whitney Museum of American Art,
New York].
1997 Iris and Gerald B. Cantor Art Gallery, College of the Holy Cross,
Worcester, MA, From Time to Time.
Linda Kerkland Gallery, New York, Word to Word.
Stalke Galleri, Copenhagen, 10th Year Anniversary Group Show.
Arthur M. Sackler Museum, Harvard University, Cambridge, MA,
Drawing is Another Kind of Language: Recent American Drawings
from a New York Private Collection [Traveled to:
Kupferstichkabinett Academy of Fine Arts, Vienna;
Kunstmuseum, Wintherthur; Kunst-Museum, Ahlen, Germany;
Akademie der Kunste, Berlin; Musée de Picardie, Amiens; Parrish
Art Museum, Long Island, New York; Lyman Allyn Art Museum,
New London, Connecticut; Northwestern University, Evanston,
Illinois; The Contemporary Museum, Honolulu].
1998 Abraham Lubelsky Gallery, New York, Re: Duchamp /
Contemporary Artists Respond to Marcel Duchamp’s Influence.
644 Broadway, New York, The Evergreen Art Auction and Review.
Stalke Galleri, Copenhagen, Dove Bradshaw, William Anastasi,
Margrethe Sorensen, Torbin Ebbeson.
128 Gallery, New York, Pieces.
1999 Museum of Contemporary Art, Los Angeles, California, Afterimage.
La Fundacio Antoni Tapies, Barcelona, Merce Cunningham
Fifty Years [Traveled to: Fundaçao De Seralves, Porto, Portugal;
Castello di Rivoli, Italy; Museum Moderna Kunst, Stiftung Palais
Lichtenstein, Vienna].
White Box Gallery, New York, Manna Benefit for the Jacques
Marchais Museum of Tibet.
Sculpture Center, New York, Benefit.
2000 The Whitney Museum of American Art, New York, Into the
Light: The Projected Image in American Art 1964-1977.
Gary Tatintsian Gallery, New York, Photographic Re-View.
White Box Gallery, New York, Topology.
Bard College, Annandale-on Hudson, New York, This Is What It Is.
Ubu Gallery, New York, Destruction/Creation.
The Neuberger Museum of Art, Purchase, NY, End Papers,
Drawings 1890-1900 1990-2000.
The Whitney Museum of American Art, New York,
The American Century, 1950-2000.
2001 The Whitney Museum of American Art, New York, Into the Light:
The Projected Image in American Art 1964-77.
Museum of Contemporary Art, Roskilde, Denmark, Anastasi,
Bradshaw, Cage.
Pittsburgh Center for the Arts, Conceptual Art Today: Blind Man’s
Bluff [Four Timed Sound Blind Drawings Made by Four Invited
Executors].
Rooseum Contemporary Art Center, Malmo, Sweden,
Century of Innocence: The History of the White Monochrome
[Traveled to: Liljevalchs Konstall, Stockholm].
2002 Garry Tatintsian Gallery, New York, Memorial Concert for John
Cage, 1912- 1992.
The Aldrich Museum, Ridgefield, Connecticut, Charles Carpenter
Collection.
The Work Space, New York, blobs, wiggles and dots, webs and
crustillations.
Mattress Factory Museum, Pittsburgh, Mattress Factory 25th
Anniversary Auction.
White Box Gallery, New York, White Box Benefit.
Dieu Donne, New York, Collaborations.
2003 Snug Harbor Cultural Center, Staten Island, New York,
The Invisible Thread: Buddhist Spirit in Contemporary Art
[Traveled to: Davidson Art Gallery, Wesleyan University,
Middletown, Connecticut].
New Britain Museum of American Art, Connecticut, Unexpected
Dimensions: Works from the LeWitt Collection.
Cohan Gallery, New York, White Box Benefit Auction.
2004 The Baltimore Museum of Art, Work Ethic [Traveled to: Des
Moines Art Center, Iowa; the Wexner Center for the Arts in
Columbus, Ohio].
New Britain Museum of Art, Connecticut, Selections from the
Sol LeWitt Collection.
The Museum of Tibetan Art, New York, Opening Celebration of the
Rubin Museum of Art.
Davis Museum and Cultural Center, Wellesley College, MA,
Infinite Possibilities: Serial Imagery in Twentieth-Century
Drawings.
The Lab Gallery, New York, Stereognost & Propriocept.
2005 University Art Gallery, University of California at San Diego,
La Jolla, Anastasi, Bradshaw, Cage, Cunningham.
University of Virginia Art Museum, Charlottesville, Anastasi,
Bradshaw, Cage, Cunningham.
Kirke Sonnerup, Denmark, Reality.
Los Angeles Museum of Contemporary Art, Los Angeles,
Benefit for the Museum of Contemporary Art.
Stephanie Hering Gallery, Berlin, Edge Level Ground.
Les Yeux du Monde, Charlottesville, Anastasi / Bradshaw.
2007 Bjorn Ressle Gallery, New York, One: In memoriam: Sol LeWitt.
White Box, New York, Blind Date: William Anastasi and
Lucio Pozzi.
Birmingham Museum of Art, Alabama, Anastasi/Judd/ Sandback:
Wall / Ceiling / Floor.
2008 Mot Gallery, Brussels, The Title of This Show.
Bjorn Ressle Gallery, New York, The Winter Salon.
Esbjerg Kunstmuseum, Denmark, ONE More.
2009 Bjorn Ressle, New York, EAST WEST.
Guggenheim Museum, New York, The Third Mind.
Museo de Arte Contemporáneo, Segovia.